Who are y'all fav dnb/jungle producers oat

Started by krvsh, Jun 13, 2024, 11:05 AM

« Top 10 Dismiss Yourself Songs | did any of u listen to the newwwww thanks god (theres 1) »

krvsh



sleep

:)

yikey

:D

forgedpresedentialrecords


Acolyte of Hatshepsut

DUSQK has been putting out really easy listening stuff, it's a universal recommendation from me.


https://www.youtube.com/watch?v=z9e8CPULjW4
    Logged

    snaiil

    I'll throw mine into the ring, not super big dnb listener but steadily rotating more:

    Venetian Snares, not because he's big but because as far as DnB producers go he's creative and his albums are varied and interesting (not only between themselves but internally). Songs About My Cats is top-tier music for me, and I haven't heard anything remotely like it in any other album, with its abrasive sound pallet and melodic progressions and humor. His other albums are also wonderful in my opinion, Doll Doll Doll and Winter in The Belly of a Snake are my next favorites and his other stuff I care less for though I appreciate its novelty, but for Songs About My Cats he is my ace. Until I found out about his stuff with Speed Dealer Moms, and I fell in luv all over again; its like what I wanted Rossz Csillag to be and then some

    https://www.youtube.com/watch?v=9nw8iV9QsdE

    https://www.youtube.com/watch?v=932AIZaCGf0

    Shoutout to Dvstrr for putting out so many great tracks; the 3 track run of Plastic-Protein-Qatar Drill, which are on his Xinjiang account, is one of my favorites that I know of, VeraxXx Drill 2k24 is heavy as fuck, and so much that he has put out is just the perfect realization of what I think electronic music should be. I don't want to sound like an ass, but I haven't been able to enjoy most of his newer stuff, which has been too freeform and experimental in a way that sounds unfocused rather than exciting to me, but I trust that he will cook when the time is right
      Logged


      Similar Topics


      There aren't any users online.
      • Hidden: 0
      • Guests: 25